![]() His Jackson is an alcoholic who meets Ally, a waitress and jobbing singer who entrances him in a bar with a performance of La Vie en Rose. And to top it all, he can sing: convincingly snarly on blues-rockers like Alibi, stoic on the extremely strong Isbell-penned country ballad Maybe It’s Time, affectingly doleful on his duets with Gaga. ![]() His arguably unnecessary shirtlessness in one scene was instantly validated by the audible ripple of arousal around the cinema I saw it in. ![]() He delivers a very accomplished lead performance in the film and, as director, crafts scenes of intimate naturalism and big-guns emotion with equal aplomb.
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